The novel I’m planning to go back on submission with in January falls under the general category of
crime fiction, and under the general subgenre of
private eye novel.
P.I. Cri-Fi.
You heard it here first.
One of the problems with private eye novels (or with any novels, for that matter) is coming up with a main character who stands out from the crowd.
Do we need another Philip Marlowe, another Spenser, or even another Amos Walker?
Nope. Those are all great characters, but they’ve been done. And done, and done...
Sometimes, especially with a P.I. novel, it’s tempting to fall into the voice of
parody. Amusing, but not what I’m after.
What am I after?
I want a guy who’s honest. Compassionate. Loyal. Intelligent. A good lover and a capable fighter...
But, I also want a guy who’s wounded. Deeply wounded. So wounded, in fact, that the very essence of his being aches with it 24/7.
Is this the guy?
Twenty years after crawling from the fiery wreckage of a chartered jet and witnessing his wife and daughter perish, a blues guitarist turned private eye makes a horrifying discovery: the crash was not an accident...
Meet Nicholas Colt, PI. Once a successful recording artist with mansions on both coasts, he now resides near Jacksonville, Florida, in a 1964 Airstream Safari travel trailer. He’s forty-five, living paycheck to precarious paycheck, and is forever haunted by the memory of his wife and daughter. His music died with them, along with any faith in a higher power.I think this is the guy. He’s my guy, anyway, and he’s different from every other private eye out there.
After a third major rewrite, the book is back in my agent’s hands now, and I’m hoping it will be back in some editors’ hands within the next month or so.
Will the third time be a charm?
Stay tuned.
Your turn. What makes your character stand out from the crowd?